Back in our own bed

My rough calculations as to how many beds we slept in while we were away from home comes to just under thirty, some of which we slept in more than once.
Some were drastic, most were okay. Probably the best one was at my sister-in-law's place in Northampton. They'd bought a new bed before we came (I think for us, in fact), and it was very good to sleep in.
Perhaps the worst was in a room above a cafe we stayed at in West London. The middle leg was broken, and had to be propped back in place. Consequently sleeping on it was a bit of a ‘take care’ situation, in case it suddenly collapsed.
On the Continent we found that in Germany and Switzerland, they don’t have pillows the same shape as those at home. They’re large and almost square, and virtually flat, and it’s hard to know how they’re supposed to function. We never quite found out.
Some Continental hotels put two single beds together as though they were a double. You discovered the gap fairly quickly. Others were double beds, but they had separate covers on them. This worked quite well, except when Celia threw her cover over on mine. Still, it’s something she does at home anyway, so what’s the difference?
Many places don’t use a top sheet any more, including many of the places we stayed at in England. And they use duvets almost everywhere. I found the problem with these was they were often too heavy for the summertime, and I’ve lost count of the number of nights I woke up sweating.
The great thing about it all, I suppose, is that we became more flexible about just getting on and sleeping, whether it was in our tent with airbeds, or in a king size double bed in Valencia. Many places don’t have curtains heavy enough to keep out the light – many places, especially in Spain, don’t have curtains at all. So sleeping under these conditions is a test of how tired you are and whether you’re going to make a fuss about it.
Anyway, we’re home, and we’re back in the bed we belong in – and it’s great.

Going Attractions

When you go to the cinema you often see a board advertising ‘Coming Attractions.’ I’m inclined to think I should post about ‘Going Attractions,’ all those things we didn’t quite make it to while we’ve been overseas.

I have this feeling that when we get home some people will say, But why didn’t you visit the….? (Enter a word of your choice, such as the Louvre, or the Prado in Madrid, the latest musical, Covent Garden, or…)

Partly the reason we didn’t was budget constraints. Partly it was laziness – making the effort to get to some things proved beyond our combined energies. Partly it was a rather laissez-faire attitude to the attractions. If we missed them we missed them. Simple as that. They’ll still be there, and we won’t be.

In the end, there’s only so much you can see, even in six months. And if you’re not in London for much of that time, you won’t see much of what’s on in London. (Even when we were there, the 50% discounts for several theatres still amounted to tidy sums).

If you miss getting to Paris or Madrid, you’ll miss the big museums. But why didn’t you make the effort? This may be your only opportunity!

Yup. But the problem was also that we were continually swamped by choice. There is just too much in the world to try and catch up with. And the bigger the city the worse the choice gets, until in the end you’re inclined to stay home and watch the telly out of enforced apathy.

Partly this holiday was also about revitalising ourselves, and sometimes that involved nothing more than sitting beside some nondescript stream and reading.

A few notes

One of the great advantages of having relatives in England who care about you is that we’ve been looked after very well, even by those who’d hadn’t seen us for more than thirty years. Without our extended family over here, this trip wouldn’t have been possible in any sense.

I’ve just been checking back over some of the words that HitTail has turned up and find that the windmill in Cley, which we visited (well, we walked around it as it was closed at the time) was restored by the parents of a singer/songwriter called James Blunt. His real name is James Blount and he’s the composer of the album, Back to Bedlam. There now, did you know that?

I mentioned too that we’d had to get Vodafone to unlock the content control on the mobile connect, and that it had been a bit of an issue doing so. Seemingly, Vodafone is the only company that actually does this for free (why do they lock them in the first place?). Some companies in Australia, apparently, charge anything from $27.95AUD to $199! What a racket.

I’d talked about Gaudi’s architectural approach to the Holy Family Cathedral in Barcelona, and said it looked like the stone was melting. This isn’t unusual in Gaudi’s work, apparently: in a recent article in the NY Times, the writer talks about the way Gaudi used this melting effect on houses and roofs and other architectural features.

Our frequent mention of McDonald’s brought us into a search result as well. I don’t know if I wrote that we didn’t go to McDonald’s in Spain because they didn’t serve milkshakes. Whether it’s something to do with the way they bottle milk or what, I don’t know, but we couldn’t get a milkshake in Spain (not from McDonald’s anyway).

It was interesting the way the McDonald’s vary. When we came back to London we had more trouble communicating with the staff in the two McDonald’s we visited than we did in any of the countries in Europe. There the assistants were pleased to interpret our English into McDonaldsese. In England, even though the assistants were all English-speaking, they got our orders muddled, didn’t seem to hear what we were saying and in generally were surprisingly obtuse. Ordering in McDonald’s shouldn’t be that difficult: they have a kind of universal language, and you find the order boards are the same wherever you go around the EU.

I said in my last post that we’d been to Cambridge. Apparently Sir Humphrey Cripps, the man who built up the Pianoforte Supplies company in Roade was an honorary Fellow there. He was ‘the greatest single benefactor the College has had since its foundation over 500 years ago.’

And finally, Buckley’s Canadiol Mixture gets yet another mention in HitTail. I haven’t had to use it yet for the cold I’ve got at the moment, but just the mention of it brings to my senses that wonderful aromatic and throat-burning mixture.

Quality end to the European holiday

Today is a public holiday - All Saints - so things are fairly quiet out on the street, though they weren’t during the night when lots of young people were out and about yahooing and generally waking up old people in the middle of the night. Anyway, we didn’t have to get up quite so early this morning, even though we shifted out of the apartment.

The new apartment is about five minutes walk away (at normal walking speed: with our bags and Celia’s foot it took us somewhat longer), and it’s entrance is in a much narrower street again. In fact cars don’t go down it. There’s a square just on one corner with a statue of what looks at first like a skateboarder; think it’s some explorer, though. The trees in the square seem to be growing mandarins, or some equivalent, and outside one of the balcony windows is the back of the Cathedral with a door that looks as though it hasn’t been opened in some time.

The apartment is much more luxurious-looking than the other place, although both of us found the previous place to be very comfortable and up to date. This one has a lot more ‘antique’ furniture. It may actually be antique; I don’t know, but it probably came with the place when Nicholas, the owner, bought it. Again it has a superb oval glass-topped table, with six chairs this time, instead of four. There are all the mod cons in the kitchen and bathrooms (two of these again!) including a dishwasher again. We’re not much into bothering with dishwashers; most of our English rellies have them, but we’re quite happy to wash up as we go.

There are original paintings everywhere, some by an artist called Antonio Ferri. You can read a short biography of him here. Seems he’s a local painter, who’s spent some time in the States but has decided that home is best.

There’s even a hallway to this apartment, something our previous only pretended to have. In it is an antique couch with cushions, gold braid and so forth, and opposite a shelf with a delightful statue of a horse. Celia’s a bit iffy about being in a place with so many knickknacks of the antique sort; she doesn’t want to turn round suddenly and break something.

The lounge has two modern couches facing each other, another glass-topped (square) table, and more antique furniture. Plainly the latter isn’t hard to find in Spain!

Finally, there's an even more up-to-date tv and dvd. And a different collection of movies. We're having a blob day (after all our exertions yesterday) and Celia's watching something while I type.

I haven't mentioned that in both these apartments I've had free wireless for the Internet. The last place had one option - this has three!

The picture by Antonio Ferri comes courtesy of Galeria Estil in Valencia.

Rethink and Rules

The Metro in Valencia isn’t just a tram. It’s also an underground. Ah, well, we’ll get it right eventually.
The Spanish don’t seem to have a sense of personal space: they’ll bump into you in the street and make no comment, and if you ask them something, they’ll often seem to ignore you. On the other hand, when they do respond, they’re just lovely and friendly. Well, apart from the bus driver we got last night, who wouldn’t let two old people off the bus (he’d missed opening the door for them) until they shouted at him - and then he wouldn’t let a woman on at the same place! There have to be exceptions everywhere, I guess.

I’m going to start compiling a list of tourist ‘rules.’

1. If you see a toilet, use it, even if you don’t want to go at that point. Toilets are hard to come by. (Curiously, toilets in Spain are called the WC.)
2. Words like ‘hola!’ in Spain, ‘prego’ in Italy, and ‘bitte’ in Germany may mean anything the speaker wants them to mean. But they’re handy words, all the same.
3. It is inevitable that you will lose things while travelling. Don’t fuss. So far we’ve lost the cover to Celia’s knife, maybe even the knife itself, possibly a pair of my underpants, a piece off Celia’s Swiss Army Knife, and maybe some things we haven’t noticed so far. I got all the way home today before I noticed I’d left my jersey somewhere - probably in a café where I stopped for a cup of very milky coffee. Trouble is, I probably can’t find the place again - I got completely lost on the way home as it was.
4. The main thing is, Don’t lose each other. And be nice to each other - this makes a big difference under stress.
5. Never assume that you know everything about the city just because you’ve found your way from the railway station to your place of abode. Usually the city is a hundred times bigger than you thought.

The picture is of a toilet in Spain - not one we've used though.

Frustrating Day

We’ve had a rather frustrating day today, though not entirely. You can read about the good bit on my other blog.
We sat down to plan what we’re doing next this morning. We know already that we’re flying home from Lyons in France on the 7th November, but what we were going to do in the week before that hadn’t been organised. In the end, after some debate, we decided to go overnight from Madrid to Paris on the 3rd. Tried to book online. Complications. Eventually decided we’d go down to the Railway Station and book there. This was after lunch, and we arrived at the station just before 13.58. How do I know it was that time? Because that was the time we picked out a ticket from the booking office and sat down to wait.
We were ticket number 567. The tickets that were being handled when we sat down were in the mid 300s.
It was around four o’clock when we finally got attended to, so you can imagine our disbelief when the guy behind the glass told us we couldn’t book an international ticket because international tickets were only booked on Saturdays until 1 pm. And not at all on Sundays.
Celia berated him a little. To put it mildly. I had to carry her out of the office screaming. We did manage to book a ticket to Madrid for the 1st at least - before she had hysterics.
So that put paid to another day in Valencia. Our intention had been to go to the Market, and then get a tram to the beach. Achieved neither. Worse, Celia’s heel, which hasn’t been playing up since she had a cortisone injection last year suddenly decided to make its presence felt again. We’ve been walking around Valencia mostly, so far. But with her heel playing up we’re not sure how we’ll get from A to B. We got a bus to the show tonight, but we walked back (because it was difficult to find a bus), and her heel didn’t enjoy it.

In Valencia

In Barcelona, as we’ve no doubt mentioned, we were on the fifth floor - officially the fourth floor, since the Spanish call what we call the first floor the E floor (don’t ask me what the E stands for) - but anyway, there were 83 steps up to our apartment. We know this for a fact because Celia counted them every time - up and down.
In Valencia, which strikes me as a very pretty city, with real style - and rather more aggressive traffic than Barcelona - we have an apartment with around 40 steps. 40 steps are a lot less than 83, believe it or not, and Celia has not counted them every time. Once was enough.
The other difference, however, is that we have the whole apartment to ourselves. Unlike our place in Barcelona, which was part of a system called The Loft, where unused apartments were rented out to as many people as they could get into them, (and where they must have made well over 200 euros a night, and still couldn’t supply toilet paper), here in Valencia, the owner of this apartment has rented out the whole place to us (two bedrooms, laundry, bathroom, kitchen, dining-cum-living room) for 75 euros a night. Not only do we have privacy, but it’s a lot less noisy (and far fewer steps - did I mention that?)
Moreover, it’s well-decorated with a modern painting over on one wall (looks as though it’s an original, too), a large hanging version of Da Vinci’s man in a circle (or is it two men in a circle - or one man with four arms and four legs?), a really comfortable couch, an equally comfortable armchair (in which somebody is currently asleep), good beds that neither squeak nor roll nor anything else that beds shouldn’t do, an equipped kitchen (it has a toaster! and an electric kettle!! and much more), a television and a DVD player - and about a dozen DVDs. In English. (We watched Finding Neverland again last night.) On the walls are other decorations: Spanish decorated plates, or little round ceramic sculptures; there are plenty of standard lamps and a general air of comfort. And a washing machine. Wow! No more laundrettes for a bit.
So pleased with the place was Celia that she remarked: the pièce de résistance (she lapses into French on special occasions) would be if the laptop could get on the Internet here. And it does! We’re using some apparently free WiFi without difficulty. Which means we’ve spoken to most of our kids today again, via Skype.
Our intention in Valencia is to rest. Which is why we’re here for a week. We’ll take a couple of trips out of town on the train (we’re getting to the point where we’ve got to use some of them up) but in general we’re not going to push ourselves. In spite of being on holiday, we’re actually tired…
Incidentally, when we were in Rome, we booked into an expensive hotel thinking that for once we'd treat ourselves. It proved to be very ordinary: a room with a bed and an en suite. And seven towels in the en suite. It cost us an unbelievable 140 euros a night. Yet here in Valencia we have a whole apartment for 75 a night. It's hard to get a balance, that's for sure.


Incidentally, I now discover that the da Vinci isn't called a couple of blokes in a circle, but The Vetruvian Man. There, isn't the Internet just wonderful for educating us?

Getting Lost in Barcelona

Our intention today was to go and see the Picasso Museum. Unfortunately a couple of days ago we lost the index booklet that went with our map, and so it proved to be a bit of an issue trying to find the street. Finally I saw on the map that Montcada was served by a Metro station and a bus. But when we got to the Metro station itself there was no sign of Montcada. So we deduced that the bus 96 must take us to it. Twenty minutes later we arrived at a outskirts suburb called Montcada. Celia didn´t want to get off there as it looked as though we might be in the middle of nowhere. And there was no sign of any museum - she said it was unlikely that it would be way out there anyway.
So in the end we gave up on Picasso.
We came back into La Rambla via the Metro planning on walking quietly along the seafront. However, I needed a loo (what´s new?) and there was a boat sitting there waiting to go for a tour round the harbour and beach.....
So on we got, into the loo I went, and we spent an hour and a half on the sea. It was very pleasant actually, although the water was quite rough outside the harbour basin (one woman was sick on the way back). Anyway, we saw Barcelona from the water....
When we got back to shore, we decided to have a cuppa from our faithful flask (the one we bought in Hamburg after our English one broke only a couple of weeks after we bought it. And because we weren´t sure where the train station is in Barcelona, we decided to have a recce and find it, so as to save ourselves hassle tomorrow, when we leave for Valencia.
It was just as well we did. The station at Arc de Triomphe (sorry, can´t remember how the Spaniards spell it) someone had told us served the trains doesn´t. There´s only a very large bus station there. We got back on the Metro and headed for the station called Espana, where the real train station is.
After getting on a suburban train instead of the Metro, and going three or so long stops before we realised something was drastically wrong (none of the stations were named on our Metro map), we got off and went back to where we started - almost. We were able to save one train stop by getting out a stop early. Eventually we found the Metro to Espana only to arrive there and be told that the train is kaput (as one non-English-speaking official told us). It turns out that the line is ´broken´ as another official charmingly put it, and we could either get a bus from Espana to Sants Estacio or get the Metro to it.
I´d read something to this effect in the Metro newspaper, one of the freebie papers that turn up on the underground, but hadn´t quite been able to figure out from the Spanish when the train was going to be kaput. I´m still not sure how long, but hopefully, when we go to Sants Estacio tomorrow, we´ll be able to get the mainline train to Valencia without difficulty. If not, we´re in trouble!

More on Parc Guell

The gatehouse is out of a fairy tale; the house opposite is a like the gingerbread house in Hansel and Gretel - and has an enormous turret on top. A sweeping balcony further up the hill gives a wonderful view of the city, and is decorated with mosaics in every colour. And of course the edge is wave-like. Further up the hill again is a kind of walk made from stone pillars. But being designed by Gaudi, they’re made from stones of all shapes sitting on each other, and seemingly barely holding together.
The other house that was completed is slightly more ‘normal’ but only slightly. There is a long stone corridor with more of Gaudi’s leaning columns - and built onto these are all sorts of statues, some very defined, some only just creeping out of the rock. Across from there is the area beneath the balcony (when I say balcony, I’m talking about something that’s at least half an acre), in which the usual round columns you’d see in most places appear - but they’re everywhere. And between them, on the ceiling, are large plates of mosaics, not set into the ceiling but hanging from it.
The man must have had a wonderful sense of humour as well as design. Though how he persuaded some people to take up his ideas is something I’d like to know! Maybe the Spaniards are more open to quirkiness than other people.

Sacreda Familia

Yesterday we got to Sacreda Familia (Holy Family) rather late, so didn’t go in. It’s Barcelona’s Cathedral, and is still being finished - after more than a hundred years! This isn’t for want of trying - there may have been some patches of inactivity since it was begun in the 1880s, such as during the Spanish Civil War (when the Cathedral was damaged) but in general it’s been on the go since day one.
It was the dream of a Barcelona bookseller, but I don’t suppose he ever dreamt he’d get what is now in existence. The first architect got as far as building the crypt area, which is substantial in itself, and now houses a museum to the second architect, Gaudi, who between other projects made it his life’s work to design the most remarkable cathedral in Christendom. He sometimes lived in the Cathedral; he had his workshop there at times, and he’s buried there. He’s so honoured that I’m sure most Barcelonians know his name. And he deserves all the honour heaped on him. Somehow he managed to create a monument to God, to Christ (and Mary) and to creation that is so strange and so remarkable that at first you just don’t know what to make of it.
Our first view of it, from across the street, made us wonder what the heck the place actually was. Because it’s still being built, there are cranes everywhere, and scaffolding. Several of the twenty odd towers that will eventually exist are there, and some of them have been there for more than a century. But your first impression of the building is of towers that are full of strange holes, and of a surface that’s so decorated you can’t grasp anything.
Fortunately, when you get up close you realise what’s going on. The way the surface seems to be sliding off itself, like icing melting on a cake, isn’t the case at all: the surface is covered with natural things such as plants and animals. Sculptured vines and creepers cover the building; there are dozens of sculptures of animals and people: stories from the Bible, and liturgical symbols. Each spire has a different top, and nothing is repeated anywhere. At present the tallest tower is 120 metres; in due course the one that focuses on Christ will be 170 metres, making the Cathedral not only the tallest building in Barcelona, but also the tallest church in the world.
Gaudi said: to be original go back to the Origin. And he has done. He continually studied plants and animals to see how things were structured, and used the designs in his buildings. (Not just the Cathedral but also all of his other architectural pursuits.) This created enormous problems for his sculptors, his engineers, his stonemasons, and everyone else connected with the building. But so loyal were they to Gaudi, and to his vision, that they overcome the problems again and again. Gaudi himself made intricate models of the most difficult parts of the structure, and many of these are on display in the museum in the crypt. Unfortunately most of his drawings and plans were destroyed in the Civil War, but subsequent architects and others have worked hard to discover exactly what he intended and to make sure his intentions are carried out.
The inside of the cathedral is at present full of scaffolding, but some areas are complete. In due course all the windows will have stained glass in them, but for now only two of these are finished, and they are both kaleidoscopes of colour. The inner columns weave up to the ceiling area like great plant stalks. None of them are simply round: they have been built so that they almost spiral upwards. In the ceiling itself, the stone is shaped like flowers and leaves, and these hang out over the columns. The balcony, which is high above the floor, and goes along both sides of the building, will hold 1200 to 1500 singers one day - when the place is complete. It’s shaped in a great wave, weaving in and out. The staircases are spiral, and you can already climb far up to the top of what’s completed - or take a lift. Celia reckoned Health and Safety would have something to say about thousands of tourists coming into a building site - which is what it is. Most of the floor is covered with moulds, and great pieces of stone, and building materials.
Outside what is currently the front entrance, are some of Gaudi’s famous leaning columns. These start out some distance from the wall, and fall back onto it, as it were. And over the doors are sculptures of the fourteen stations of the Cross. They’re not in the usual order - Christ naked on the cross is at the centre - but they wonderfully vivid, and striking.
As you can see, the place made quite an impression on us. And then we got a bus to Parc Guell, which was originally intended to be a place where sixty of Gaudi’s designed houses would be built. In the end only two (and a gatehouse) were finished. It’s now been turned into a park for the public, and has more of his almost outrageous designs scattered about. Perhaps more on those in the next post.

In Barcelona

We weren’t sure how far it was from the ferry to the place where we had to get the key for our ‘loft’ in Barcelona, but a policeman at the port area said La Rambla, the street we were looking for initially, was only ‘past the monument.’ Okay, we thought, we’ll walk to the monument. And then we walked up La Rambla (Barcelona’s most famous street) and then, when we were going to catch a bus to Caller de Portaferrisa, which runs off La Rambla, a woman told us it wasn’t worth getting the bus; only five minutes’ walk. So we walked some more - with our rucksacks on our backs and our heavy smaller backpacks in front. And finally we found Portaferrisa, and then had trouble finding the little lane called Caller de Roca, for which we’d been given precise instructions. It was so little that we missed it altogether. Finally found the office for the people who run the ‘Loft’ system, and then we had to walk for at least another five minutes (rucksacks, backpacks, sore feet) with one of the staff to the apartment we would be sharing with whoever else was staying there. (The Loft is a group that rents out unused loft space - or areas high up in buildings - maintains them and offers them at very cheap rentals.)
Finally got there (rucksacks, backpacks, sore feet and sore backs) and found that we had to climb five flights of stairs! The lift doesn’t work anymore.
At least here we have a kitchen to cook our own meals, and though we’re sharing bathrooms, there are two of them. We had our first ‘home-cooked’ meal since we left Switzerland, and used some Mexican sauce which turned out to be very hot (though not as hot as the next level up apparently).
Anyway, Barcelona seems a pleasant place: the traffic isn’t nearly as frantic as in the Italian cities, and people actually stop at pedestrian crossings. In Italy it’s a challenge as to whether they will. (The motor scooters are the worst culprits for trying to run you down.) Even the Metro doesn’t seem as crowded - though we got literally shoved onto the train tonight by an enthusiastic feller, who laughed at our surprise - along with his friend. You couldn’t get mad at him.
La Rambla is a long pedestrian street with single-lane traffic up either side. There are buskers all over, especially those ones who act as statues, and it’s full of life even late in the evening. Unfortunately, the McDonald’s doesn’t sell milkshakes, which is the only disturbing thing we’ve discovered about Barcelona so far.
The place we’re staying in is only a few minutes from La Rambla, and there are little shops everywhere, plus clothes hanging from the balconies, tv aerials covering the roofs, dogs barking, people relaxed and pleasant (apart from a bit of fisticuffs we saw about to happen this morning), and at least two internet shops within spitting distance. On the ferry we’d had to pay 7.50 for half an hour for the privilege of using their internet; in the street near here it’s one euro an hour.
And this morning, as I was going to pay the bill for the room we’ve got, I got caught up in the making of a movie. A man ran out of a building and handed a bag to a guy on a motor scooter. This fellow had horns on his helmet (!) As he drove off, another scooter with a driver and a cameraman raced behind him. There were the usual twenty or thirty crew scattered about, and one person who looked like an actor but didn’t actually do anything. I might have been in the shot of the scooter taking off, but they looked as though they were going to shoot it again, so I might not get into a Spanish movie after all.